mercoledì 15 aprile 2009

Amalfi_Repubbliche Marinare

Amalfi
An independent republic from the seventh century until 1075, it rivalled Pisa and Genoa in its domestic prosperity and maritime importance, before the rise of Venice. In spite of some devastating setbacks it had a population of some 70,000, reaching an apogee about the turn of the millennium, during the reign of Duke Manso (966–1004). Under his line of dukes, Amalfi remained independent, except for a brief period of Salernitan dependency under Guaimar IV.
In 1073 it fell to the Norman countship of Apulia, but was granted many rights. A prey to the Normans who encamped in the south of Italy, it became one of their principal posts. However, in 1131, it was reduced by King Roger II of Sicily, who had been refused the keys to its citadel. The Holy Roman Emperor Lothair, fighting in favour of Pope Innocent II against Roger, who sided with the Antipope Anacletus, took him prisoner in 1133, assisted by forty-six Pisan ships. The city was sacked by the Pisans, commercial rivals of the Amalfitani; Lothair claimed as part of the booty a copy of the Pandects of Justinian which was found there.


Repubbliche Marinare

The Repubbliche Marinare (Italian for "Maritime Republics") is the collective name of a number of important city-states which flourished in Italy and Dalmatia in the middle ages. Traditionally the major four are taken to be Amalfi, Pisa, Genoa, and Venice, whose coats of arms appear in the flag of the Marina Militare (Italian Navy). These states competed with each other both militarily and commercially. From the 10th to the 13th centuries these cities built fleets of ships both for their own protection and to support extensive trade networks across the Mediterranean, and had an essential role in the Crusades. As they found themselves in competition, these republics engaged in shifting alliances and warfare.
The four classic Maritime Republics in Italy are the ones given above, and they are always given in that order, reflecting the temporal sequence of their dominance. However, other towns in Italy also have a history of being Maritime Republics, though historically less prominent. These include Gaeta, Ancona, Molfetta, Trani and, in Dalmatia, Ragusa and Zara.
The Maritime Republics were city-states. They were generally republics in that they were formally independent, though most of them originated from territories once belonging to the Byzantin Empire(the main exceptions being Genoa and Pisa). All these cities during the time of their independence had similar (though not identical) systems of government in which the merchant class had considerable power.
The Maritime Republics were heavily involved in the Crusades, providing support but most especially taking advantage of the political and trading opportunities resulting from these wars. The Fourth Crusade, notionally intended to "liberate" Jerusalem, actually entailed the Venetian conquest of Zara and Constantinople.
Each of the Maritime Republics over time had dominion over different overseas lands, including many of the islands of the Mediterranean and especially Sardinia and Corsica, lands on the Adriatic, Aegean Sea and Black Sea (Crimea), and commercial colonies in the Near East and North Africa.

lunedì 13 aprile 2009

Amphitheater_Xanten & Anfiteatro_Pompei

Amphitheater - Xanten

Um möglichst viele Menschen mit aufwändigen Spektakeln unterhalten zu können, erfanden römische Ingenieure eine neue Bauform: das beidseitig (griech. amphi-) umschlossene Theater.neue Bauform von roemischen Ingenieuren oeffentliche Grossveranstaltungen wie Wagenrennen und Gladiatorenkaempfe ->sehr blutig war oft bis auf den letzten Platz gefuellt, Kampf auf Leben und Tod

Zuschauer kamen aud Nah und Fern, um Spektakel anzusehen Amphitheater in Xanten wurde im aeussersten Suedostwinkel der Colonia errichtet, um Schmutz und Laerm fernzuhalten - Fassungsvermoegen entsprach ca. Der Einwohnerzahl der gesamten Colonia - Amphitheater wurde rekonstruiert: es war 99m lang und an der Aussenwand rund 10m hoch - Die gesamte Baumasse betrug einst 40.000 Tonnen - Die Zuschauer konnten ihr Plaetye ueber insgesamt 12 Treppenschaechte erreichen - Einfache Volk: obere Sitzreihen - Hohes Volk: drei untere Reihen, um es sich auf mitgebrachten hoelzernen Sesseln bequem zu machen









Anfiteatro in Pompei

L'anfiteatro di Pompei è il più antico anfiteatro romano del mondo. Fu costruito dai due magistrati che reggevano il governo della città (duoviri) subito dopo la fondazione della colonia sillana e poteva ospitare fino a 20.000 spettatori. I magistrati si chiamavano Quinzio Valgo e Marco Porcio, gli stessi che costruirono il teatro coperto.

Spesso, nelle città conquistate dai romani, accadeva che i grandi edifici da spettacolo venissero costruiti in zone periferiche sia per il costo minore dei terreni, sia per evitare i disagi dovuti all'affollamento degli spettatori nel centro della città. Per la costruzione venne sfruttato l'aggere della fortificazione più antica, che forniva un poderoso terrapieno a cui venne addossata la fondazione delle gradinate orientali. Un nuovo terrapieno fu invece realizzato appositamente per sostenere le gradinate occidentali. Oltre la fortificazione non sappiamo cosa ci fosse in questa zona prima della costruzione dell'anfiteatro, ma è possibile che vi si trovassero della abitazioni private come nel caso della vicina palestra grande. Come nei moderni teatri, le gradinate (cavea) erano divise in ordini di diversa qualità, che avevano anche ingressi separati. A ridosso dell'arena, si trovavano i posti migliori, riservati ai magistrati, ai membri del senato locale (decurioni), agli organizzatori e finanziatori dei giochi. In caso di eccessiva calura, gli spettatori potevano essere riparati da enormi teli (vela) che venivano issati sopra la cavea e l'arena. Gli spettacoli prevedevano combattimenti tra uomini e animali, oppure tra uomini e uomini, ed erano seguiti da arbitri e giudici di gara, come spiegavano una serie di affreschi dipinti tutto intorno all'arena e purtroppo oggi perduti. In occasione degli spettacoli, intorno all'anfiteatro si svolgeva un mercato e i venditori, con il permesso dei magistrati competenti (edili) potevano addirittura utilizzare gli archi della struttura esterna come botteghe.

Das Amphitheater in Pompeii
Das Amphitheater in Pompeii ist das älteste römische Amphitheater der Welt. Es wurde nach der Zeit der Siliana- Kolonien gegründet und konnte bis zu 20.000 Zuschauer beherbergen.
Die beiden Richter Quirino Valgo und Marco Porcio, die die Regierung der Stadt verwalteten, lieβen es nach ihren Wünschen erbauen, und wollten zu einem späteren Zeitpunkt auch ein Dachtheater hinzufügen.
Die Städte der Römern zu erobern und groβe Bauwerke für öffentliche Groβveranstaltungen, fern vom Zentrum oder am Rand der Stadt, zu errichten, war Sitte; Ziel war, möglichst wenig Fläche zu belegen und Schmutz und Lärm fernzuhalten.
Für die Erbauung des Amphitheaters benutzte man einen mächtigen Erdwall, auf dem sich die östlichen Treppenschächte stützten. Auf westlicher Seite wurde ein künstlicher Erdwall zum Schutz der Treppenschächte aufgehäuft.
Was auf diesem Gelände vorher war, ist unbekannt, es wird behauptet, dass es sich um private Häuser handelte, wie Reste einer groβen Turnhalle daneben bezeugen könnten.
Die Treppenschächte waren, wie bei modernen Theatern, in verschiedene Stufen unterschiedlichen Niveaus eingeteilt, und hatten auch unabhängige Eingänge.
In der Arena waren die besten Sitzplätze für Richter, Senatoren und für Organisations- und Begleitpersonen reserviert.
Bei Hitze konnten sich sie Zuschauer mit großen, aufziehbaren Stoffsegeln vor der Sonne schützen.
Die Zuschauer verfolgten Kämpfe zwischen Mensch und Tier oder unter Menschen, die Kämpfe wurden von Schieds- und Spielrichter begleitet und unterstützt. Fresken auf den Wänden um die Arena illustrierten dies, leider sind sie heute nicht mehr für uns zu sehen.
Bei jeder Veranstaltung des Amphitheaters wurde um das Theater herum ein Markt abgehalten, und die Händler durften, von Fachrichtern überwacht, die Fläche unter den Baubogen als eigenes Geschäft benutzen.

Elisenbrunnen_Ravello

Elisenbrunnen

Im 19. Jahrhundert als repräsentatives Bauwerk vom berühmten Architekten Friedrich Schinkel um die "Kaiserquelle" erbaut, bildet der Elisenbrunnen auch im heutigen Stadtbild einen großen Anziehungspunkt für Aachener und zahlreiche Besucher. Namensgeberin für Aachens Wahrzeichen ist Kronprinzessin Elisabeth von Bayern (1801 bis 1873), Gemahlin des preußischen Königs Friedrich Wilhelm IV, die häufig als Besucherin die Vorzüge Aachens genoss. Als Attraktion für die Kurgäste gedacht, wurde der in strenger klassizistischer Stilrichtung erbaute Elisenbrunnen 1827 eingeweiht. Neben Marmortafeln, die über die berühmten Kurgäste der Stadt erzählen – wie Georg Friedrich Händel, Peter der Große und Casanova - prangt die Büste der Namensgeberin. Im 19. und 20. Jahrhundert stieg Aachen zum mondänen Modeb ad auf und alles was Rang und Namen hatte traf sich in den Bädern - ein gesellschaftlicher Treffpunkt der Stadt. Im Elisenbrunnen sprudelt 52 Grad heißes Thermalwasser aus zwei Trinkbrunnen, das zwar unangenehm riecht, dafür aber für verschiedenste Krankheiten, wie Rheuma und Hautkrankheiten, heilsam ist.

The Elisa Fountain (Elisenbrunnen) is the symbol of the spa town of Aachen. It was constructed in 1827 according to plans of the architects Cremer and Schinkel. At the time, the Elisa Fountain served as a drinking hall and a promenading hall and still today it is possible to try the healing thermal waters of Aachen from this fountain. Marble plaques remind us of the names of the famous visitors that came to the Aachen spa over the centuries, amongst them Händel and Casanova.

Ravello - Villa Rufolo and Villa Cimbrone

A small, incomparbly beautiful village which has attracted the most famous people over the centuries. The first one to be astonished by such beauty was the writer Giovanni Boccaccio who quotes it in his Decameron. It was the year 1350 and since then so many international celebrities have been enchanted by the sights of this place. Located on a promontory 350 mt above sea levels. In addition to the cathedral of St Pantaleone, the Roman churches and wonderful landscapes, Ravello worth a visit for its two pearls . Villa Rufolo and Villa Cimbrone.









Villa Rufolo

On the right side of the square (where the cathedral is) you’ll see the quadrangular tower which gives way to Villa Rufolo: a group of buildings in Arabesque style built by the noble family Rufolo to symbolize their wealth. Now it is site of the Antiquarium, a precious archeological museum which is unluckly closed. The public is admitted to visit (from 9.00 to 20, in summer, from 9 to 18 in winter) the Moorish cloister, the tower, the famous esotic gardens, whose beauty inspired the German composer Wagner for his Parsifal. In his journal he wrote:” the enchanted gardens of Klingsor have been found”. He meant he had found the ideal setting for his play, the place where his hero had to resist temptations of satanic young girls. That is why, since then, at the beginning of the second act of the Parsifal, wherever it is is beng perfomed, the gardens of Ravello are immortalized. The same gardens, every year in July, are setting of the world famous “Wagner Festival” important event for classic music.

Villa Cimbrone

Many famous people were astonished by this villa: the British politician Winston Churchill, the American actress Greta Garbo and the English writer Virginia Woolf. Antient noble residence, it was bought at the beginning of the ‘900 by lord Ernest William Beckett, one of the many English scholars involved in the Grand tour. It is a wide complex including, in its central area, a luxurious 4 stars hotel, an arabesque cloister and an arched cript in gotic style. In the flowered garden surronding the villa (public is admitted from 9.00 to sunset) you can admire: the small temple of Bacco, the cave of Eve ( a natural grotto with her marble statue); the terrace of roses ( an Italian style garden) a bronze statue of David and the tea room. In the garden you will also admire the immense alley, covered with a white glycin pergola and the temple of Cerere, at the end of the alley, the breathtaking terrace “ belvedere” with one of the most spectacular view over the gulf as far as Paestum, also called “terrace to the infinite”.

Parco nazionale del Cilento_Eifel National Park

Cilento National Park was founded in 1991. It is locatd between Paestum and Gulf of Policastro, in the central and southern part of the Province of Salerno. Very important tourist area and Unesco World Heritage Site (1998). The most important places are: the greek city of Paestum, the Greek Roman city of Velia and the Certosa of Padula, a large famous Chartusian monastery and it is the second largest Chartreuse in Italy after the one in Parma. The monastery has the biggest cloister in the world at 12,000 m².

The National Park of Cilento and Vallo di Diano is a place in the world that you must experience at least once in your life, where mountains join the sea, nature meets up with history, beautiful landscapes mix with the fragrant smell of wild plants, and people come together to enjoy the incredible food and wine of these parts. This region is a part of the National Park of Cilento and Vallo di Diano, in Southern Italy. After you arrive here you will wish to have discovered it much sooner. If you are looking for something really different and to experience Italy off the beaten path, come and discover this place that is truly to come and see.

National Park Eifel (Let nature be nature) was founded in 2004. It is located 65 kilometres south-west Cologne and 50 kilometres southeast of Aachen. It draws a huge number of tourists throughout the year. It covers an area of about 107 square kilometres.

The Eifel National Park, Germany is one of the most popular national parks here. It features water and woods and extends to the visitors a fascinating experience in the lap of nature.

The Eifel National Park, Germany, with the motto "Let nature be nature" features nature's beauty and diversity at the same time. Located 65 kilometers south-west of Cologne and 50 kilometers southeast of Aachen, this national park draws a huge number of tourists and local people throughout the year. Covering an area about 107 square kilometers, the Eifel National Park was established on the 1st of January 2004 and is the 14th National Park in Germany. Dive deep into the beauties of nature in this park with the rushing streams and the yellow daffodils in the southern areas during spring. The Northern part of Eifel National Park is charecterised by large areas of deciduous forests with deep reaching river valleys. This national park is home to 230 endangered animal and plant species.

You will find nearly 1.300 beetle species. Red deer, wild cats, beavers, black storchs, eagle owls and even wall - lizzards consists of the fauna of the Eifel National Park. The flora mainly comprises the Yellow Daffodils, which create a yellow carpet of flowers here. Have a great time while you have bird's eye view over three water reservoirs of the Eifel region or relax while hiking through romantic stream valleys and amazing beech forests. The Eifel National Park is a hot spot for the hikers. This national park extends unique hikes and numerous activities for all ages. The three information centers Gates, in Schleiden-Gemuend, Simmerath-Rurberg and in the train station of Heimbach present fascinating exhibitions mixed with comprehensive tourist information. The Eifel National Park, Germany is a must visit for the tourists. You will really miss out something if you can't make your visit to this celebrated national park in Germany.